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Patrick J. Endres

Welcome to my photography blog. Alaska has been my home for nearly 30 years, and its epic landscape continues to lure me, both personally, and professionally as a freelance photographer. Let this be your virtual “Alaska”. I’ll be posting some visual goods and technical comments about my ventures. Facebook | Twitter | Newsletter

Over the next few weeks I'll share some of the amazing sights from my recent one month trip to Antarctica.

Stock Photo Site

AlaskaPhotoGraphics is my stock photography portal presenting publishers and photobuyers a vast selection of my work captured in Alaska's diverse and majestic landscape. From wildlife to northern living, images are easily searchable. Wall decor prints for home or office can be purchased in a variety of sizes. Stop by for views of Alaska.


Sunset on Mt Dillon

Sunset on Mt Dillon, Arctic, Alaska. Canon 1Ds Mark III, 16-35mm (16mm), 1/50 sec @ f/14, ISO 200

Sunset on Mt Dillon, Arctic, Alaska. Canon 1Ds Mark III, 16-35mm (16mm), 1/50 sec @ f/14, ISO 200

One of the beauties of photographing in Alaska in October is that the quality of light stays relatively warm and angle-appropriate for shooting most of the day. However, there is nothing quite as dynamic as the first and last light of any day. This shot was taken about 1 hour before actual sunset, but the sun was fading quickly in the foreground due to its descent behind a mountain ridge. I wanted the pattern of the foreground wetland grasses to be in the light, so this was the last shot before shadows crawled over the ice. The clouds on the mountain peak provide and interesting element of turbulence. I find that angles in a landscape image add a great sense of compositional power, but in this case, it just did not work out in spite of a few efforts to find a line along the shore. So I settled with this composition.

You might wonder why I was at ISO 200 and f/14 for a landscape like this…well, it was hand held since I had wandered away from my tripod for a moment. The shadows were coming so quickly that I laid down and made a tripod with my elbows and shot it as fast and steady as I could. The ISO boost gave me a safer shutter speed. Ideally, I would have been at ISO 50 or 100, and f/16 or f/22

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Jon Cornforth - Nice. I often prefer this type of light. Art clients relate to white clouds, blue sky, & interesting subjects.

Patrick - Jon, your work represents great attention to the quality of light, and really, that is the wonder of this occupation. It is often a very narrow window. Due to the mountains behind me in this scene, light gets clipped off in the foreground before the real sweet light of that late afternoon, but it is warm enough to work. Patrick

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